Texts.
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academic + peer-reviewed.
Eisterer, S.E., Molly M. Brandt, Ladi’Sasha Jones, and Catherine George Weilein. “Archives, Intertexts, and Friendship: Notes on the Essays in this Book.” In In the Daylight of Our Existence: Architectural History and the Promise of Queer Theory, edited by S.E. Eisterer. Zurich: gta Verlag, 2025.
“An Introduction to Politics and Programs.” In Public Interiority: Exploring Interiors in the Public Realm, edited by Liz Teston, 17-19. New York: Routledge, 2024.
“Movement in Thought: Malcolm X and Black Space-time.” In Mapping Malcolm X, edited by Najha Zigbi-Johnson, 150-171. New York: Columbia University Press, 2024.
San Miguel, Lola. “A Portrait of the Avenida Ponce de Leon.'' The Avery Review, 2018.Black Feminist Working Group. “What Sistas Want, What Sistas Believe: Black.” In Ain’t Gonna Let Nobody Turn Me Around: Forty Years of Movement Building with Barbara Smith, edited by Alethia Jones and Virginia Eubanks. Albany: SUNY Press, 2014.
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exhibition catalogs.
“Conversation: Ladi’Sasha Jones and Kameelah Janan Rasheed.” In in the coherence, we Weep, edited by Christina Landbrecht and Sofie Krogh Christensen, 95-112. Berlin: KW Institute for Contemporary Art and Walther König. 2021
“Kiyan Williams: Reaching Towards Warmer Suns.” In Monuments Now, edited by Jess Wilcox, 162-167. New York: Socrates Sculpture Park. 2020
“Wangechi Mutu: Trolling Public Memory.” In Memoria: Récits d’une autre histoire - Bordeaux, edited by Nadine Hounkpatin and Céline Seror, 40-42. Arles: Actes-Sud. 2018
“Cogitations On Surviving Language.” In Original Language, edited by Natasha Marie Llorens, 32-37. New York: Cue Art Foundation. 2017
“The Art and Politics of Reciprocity.” In Fire Bill’s Spook Kit, edited by Wilmer Wilson IV, 1-6. Ieper: In Flanders Fields Museum. -
digital.
“Play as Liberation: Exploring Torkwase Dyson’s Monastic Playground.” Hyundai Artlab, July 3, 2024.
“Aaron Douglas: Sermons.” e-flux Criticism, January 18, 2023.
“Oh, Gods of Dust and Rainbows.” e-flux Criticism, July 28, 2022.
“Worldbuilding Between Burrows and Spaceships.” The Shed, June 4, 2021.
“Grief and Grievance: Art and Mourning in America.” e-flux Criticism, April 6, 2021.
“A Grammar for Black Interior Art.” Arts.Black, December 20, 2019.
“On-the-line.” In A Language for Intimacy, edited by Terence Trouillot and Amanda Contrada. https://alanguageforintimacy.com, 2020.
“Steffani Jemison and Black Utopia.” Temporary Art Review, May 18, 2015. -
print.
“Commemorative Acts.” Gagosian Quarterly (Winter 2022 Issue): 136-141, 2022.
“People to People: Based on a conversation with Rehab El Sadek.” In Thami Mnyele Foundation Art Paper, edited by Fay Janet Jackson, 3. Amsterdam: The Art Momentum, 2021.
“Constructed Mythos: Aïcha Snoussi and Alida Rodrigues.” In Investec Cape Town Art Paper, edited by Fay Janet Jackson, 18-19. Amsterdam: The Art Momentum, 2020.
“Mapping Cultural Heritage: Data Oruwari and Diana Ejaita.” In Art X Lagos Art Paper, edited by Fay Janet Jackson, 18-19. Amsterdam: The Art Momentum, 2019.
“Yinka Shonibare: The Past is Not the Past.” In Art X Lagos Art Paper, edited by Fay Janet Jackson, 3-5. Amsterdam: The Art Momentum, 2018.
“Data Oruwari and Diana Ejaita: Mapping Cultural Heritage.” Art X Lagos / Art Momentum, 2018.
“Joy Labinjo’s Everyday People.” In Art X Lagos Art Paper, edited by Fay Janet Jackson, 19. Amsterdam: The Art Momentum, 2018.
“The Radical Power of the Black Feminine Gaze.” Aperture 225 (Winter 2016 Issue).
“Black Surrealists Nudes.” In SPOT (Fall 2017 Issue): 46-55.